On the Consumption of Protest Art in Real Time

Dart-Throwing Chimp

Today’s New York Times carries a story describing efforts by “preservationists, historians and art lovers” to capture and share art produced by the ongoing occupations in Hong Kong:

Because most of the art is still on the streets, the archiving is largely digital. Some digital renditions and objects are already running alongside the “Disobedient Objects” exhibition at the Victoria and Albert Museum in London.

The Umbrella Movement Visual Archives and Research Collective, led partly by academics, is creating open-data platforms and Google maps to mark the locations of art pieces.

A new group—Umbrella Movement Art Preservation, or UMAP—has “rescue team members” on the ground, armed with cellphones and ready to mobilize volunteers to evacuate art on short notice. They have received offers of help from sympathetic truck drivers and about a dozen private galleries…

“It is all installation art,” said Mr. Wong of UMAP.

This process strikes me as unavoidably exploitative. The…

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